Museum-quality archival prints in the following sizes:
60 × 45 cm (edition of 25 + 3 artist's proofs), 6,000 euros
80 × 60 cm (edition of 15 + 2 artist's proofs), 9,000 euros
120 × 90 cm (edition of 10 + 2 artist's proofs), 13,000 euros
180 × 135 cm (Edition of 5 + 2 artist’s proofs), 22,000 euros
“Twins I” and “Twins II” by TINA TRUMPP form a cohesive body of work that explores subtle shifts in presence, identity, and perception. Both paintings are set in a historic Gründerzeit villa and share the same carefully composed scene: In the background, white roses lie on a table, creating a serene, almost classical atmosphere.
In “Twins I,” the woman wears black pants while her upper body remains bare; this is complemented by a white collar, which introduces a subtle, almost formal element. This combination of clothing and nudity creates a tension between control and openness, between structure and intimacy.
In “Twins II,” this balance shifts further. In the same setting, the figure appears completely naked and wears high heels that emphasize her posture and presence. The absence of clothing intensifies the focus on the body, while the continuity of the space links both works into a shared visual narrative.
A hallmark of TINA TRUMPP’s work is this subtle variation within a defined space. The two works function like reflections or parallel states of the same identity. Clothing becomes a symbol of structure, while its dissolution highlights form, gesture, and expression.
Through this dialogue, the works emerge as contemporary fine art photography in which nude art is not isolated but anchored in the context of space, atmosphere, and emotional perception. “Twins I” and “Twins II” are not opposites but complementary perspectives—a balance of restraint and expression, suggestion and presence.
Museum-quality archival prints in the following sizes:
60 × 45 cm (edition of 25 + 3 artist's proofs), 6,000 euros
80 × 60 cm (edition of 15 + 2 artist's proofs), 9,000 euros
120 × 90 cm (edition of 10 + 2 artist's proofs), 13,000 euros
180 × 135 cm (Edition of 5 + 2 artist’s proofs), 22,000 euros
“Twins I” and “Twins II” by TINA TRUMPP form a cohesive body of work that explores subtle shifts in presence, identity, and perception. Both paintings are set in a historic Gründerzeit villa and share the same carefully composed scene: In the background, white roses lie on a table, creating a serene, almost classical atmosphere.
In “Twins I,” the woman wears black pants while her upper body remains bare; this is complemented by a white collar, which introduces a subtle, almost formal element. This combination of clothing and nudity creates a tension between control and openness, between structure and intimacy.
In “Twins II,” this balance shifts further. In the same setting, the figure appears completely naked and wears high heels that emphasize her posture and presence. The absence of clothing intensifies the focus on the body, while the continuity of the space links both works into a shared visual narrative.
A hallmark of TINA TRUMPP’s work is this subtle variation within a defined space. The two works function like reflections or parallel states of the same identity. Clothing becomes a symbol of structure, while its dissolution highlights form, gesture, and expression.
Through this dialogue, the works emerge as contemporary fine art photography in which nude art is not isolated but anchored in the context of space, atmosphere, and emotional perception. “Twins I” and “Twins II” are not opposites but complementary perspectives—a balance of restraint and expression, suggestion and presence.
