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Image 1 of 1
Image 1 of 1
Image 1 of 1
Museum-Quality Archival Print available in the following sizes:
60×45 cm (Edition of 25 + 3 artist's proofs), 6,000 euros
80×60 cm (Edition of 15 + 2 artist's proofs), 9,000 euros
120×90 cm (Edition of 10 + 2 artist's proofs), 13,000 euros
180×135 cm (Edition of 5 + 2 artist’s proofs), 22,000 euros
"Take Me Back To Parkview Square II" by TINA TRUMPP continues the exploration of space, perception, and architectural presence that began in the first work of the series.
The image is viewed in a mirror, creating a perspective reminiscent of looking through a keyhole. This framing produces a subtle distortion—similar to a fisheye perspective—in which the architecture curves and expands, transforming the scene into a more intimate, almost voyeuristic visual experience.
A defining feature of TINA TRUMPP’s fine art photography is the transformation of reality into perception. In this process, the mirror becomes a visual and conceptual tool that shifts the perspective and dissolves the boundary between inside and outside, between the viewer and the image.
The keyhole-like perspective creates a sense of distance and curiosity, as if the viewer were given only a limited, framed glimpse into the room. Geometry, reflection, and light merge into a minimalist, precise composition that combines abstraction and clarity.
As a fine art print, *Take Me Back To Parkview Square II* reflects a contemporary photographic language characterized by perspective, framing, and visual subtlety, inviting the viewer to reexamine space and perception.
Museum-Quality Archival Print available in the following sizes:
60×45 cm (Edition of 25 + 3 artist's proofs), 6,000 euros
80×60 cm (Edition of 15 + 2 artist's proofs), 9,000 euros
120×90 cm (Edition of 10 + 2 artist's proofs), 13,000 euros
180×135 cm (Edition of 5 + 2 artist’s proofs), 22,000 euros
"Take Me Back To Parkview Square II" by TINA TRUMPP continues the exploration of space, perception, and architectural presence that began in the first work of the series.
The image is viewed in a mirror, creating a perspective reminiscent of looking through a keyhole. This framing produces a subtle distortion—similar to a fisheye perspective—in which the architecture curves and expands, transforming the scene into a more intimate, almost voyeuristic visual experience.
A defining feature of TINA TRUMPP’s fine art photography is the transformation of reality into perception. In this process, the mirror becomes a visual and conceptual tool that shifts the perspective and dissolves the boundary between inside and outside, between the viewer and the image.
The keyhole-like perspective creates a sense of distance and curiosity, as if the viewer were given only a limited, framed glimpse into the room. Geometry, reflection, and light merge into a minimalist, precise composition that combines abstraction and clarity.
As a fine art print, *Take Me Back To Parkview Square II* reflects a contemporary photographic language characterized by perspective, framing, and visual subtlety, inviting the viewer to reexamine space and perception.
