Museum-quality archival print available in the following sizes:
60 × 45 cm (edition of 25 + 3 artist's proofs), 6,000 euros
80 × 60 cm (edition of 15 + 2 artist's proofs), 9,000 euros
120 × 90 cm (edition of 10 + 2 artist's proofs), 13,000 euros
180 × 135 cm (Edition of 5 + 2 artist’s proofs), 22,000 euros
In “Flowers” by photographic artist Tina Trumpp, images of flowers are reduced to their essence—form, light, and surface. Stripped of any decorative context, they appear almost sculptural, characterized by quiet precision and a keen sense of composition.
The color palette in these floral paintings is minimal, which allows the tonal nuances to stand out more clearly. Shades of white, muted colors, and subtle contrasts emphasize the materiality rather than the luminosity, drawing the eye to texture and form rather than mere visual impact.
As a fine art print, this floral image exudes a calm, almost meditative clarity. It invites the viewer to slow down and look—a gaze that goes beyond the conventional notion of flowers as symbols.
Museum-quality archival print available in the following sizes:
60 × 45 cm (edition of 25 + 3 artist's proofs), 6,000 euros
80 × 60 cm (edition of 15 + 2 artist's proofs), 9,000 euros
120 × 90 cm (edition of 10 + 2 artist's proofs), 13,000 euros
180 × 135 cm (Edition of 5 + 2 artist’s proofs), 22,000 euros
In “Flowers” by photographic artist Tina Trumpp, images of flowers are reduced to their essence—form, light, and surface. Stripped of any decorative context, they appear almost sculptural, characterized by quiet precision and a keen sense of composition.
The color palette in these floral paintings is minimal, which allows the tonal nuances to stand out more clearly. Shades of white, muted colors, and subtle contrasts emphasize the materiality rather than the luminosity, drawing the eye to texture and form rather than mere visual impact.
As a fine art print, this floral image exudes a calm, almost meditative clarity. It invites the viewer to slow down and look—a gaze that goes beyond the conventional notion of flowers as symbols.
